Showing posts with label Hank Willis Thomas. Show all posts
Showing posts with label Hank Willis Thomas. Show all posts

Friday, April 22, 2011

The Black Portrait @ Rush Arts Gallery 3/31-5/21/11


Felandus Thames



I had been meaning to tell you all about this show, The Black Portrait  currently on display @ Rush Arts Gallery in Chelsea, NYC till 5/21/11, that you must go and see. Natasha Logan and photographer and friend Hank Willis Thomas did an splendid job co-curating this show. it is very strong in content , theme and great imagery. You can easily move this show to the Studio Museum of Harlem or any museum for that matter. The work of Felandus Thames (shown above) was one of my very favorite gems to be discovered as part of this interesting take of black portraiture. I highly recommended.

The Black Portrait

March 31st – May 21st 

Curated by Hank Willis Thomas and Natasha L. Logan 
The Black Portrait for Web.jpg
Toyin Odutola Untitled (part of a Polyptych) 14”x11” Ink on paper, 2011 
Participating Artists
Christine Wong Yap
Coby Kennedy
Delphine Diallo
Duron Jackson
Felandus Thames
Kajahl Benes
Kambui Olujimi
Keisha Scarville
Shane Aslan Selzer
Toyin Odutola
Opening Reception Thursday, March 31st 6-8 pm

Monday, November 10, 2008

Hank Willis Thomas Talk Tonight 11/11/08 @ Aperture Foundation

Pitch Blackness

Photographs by Hank Willis Thomas
Aperture 2008

ARTmostfierce recommends this one !
Do not miss it!
The Black Power print is a must have!

EVENT

Hank Willis Thomas and Deborah Willis

Conversation

Join the the Aperture Foundation for an intimate conversation between mother and son about their work, influences, and collaborations. Hank Willis Thomas is one of today’s most compelling emerging artists. His first monograph, Pitch Blackness (Aperture, 2008), raises complex questions about identity, race, violence, and commodification in contemporary life. Deborah Willis is a photographer, educator, author, and curator. She is currently chair and professor of photography and imaging at Tisch School of the Arts at New York University.

Tuesday, November 11, 6:30 p.m.

Free !

Aperture Gallery
547 West 27th Street, Fl.4
between 10th & 11th avenues
New York, New York
(212)505-5555


View Related Book

View Limited-Edition Photograph

Visit the Aperture Website

Aperture Foundation
547 West 27th Street, 4th Floor
New York, NY 10001
(212) 505-5555

Wednesday, October 15, 2008

FREE ARTIST TALKS with SARA TERRY and HANK WILLIS THOMAS by The Lucie Foundation and Nueva Luz Photographic Journal

Hank Willis Thomas
Petey Wheatstraw: The Devil's son in Law 2000/2005
Lightjet Print
Variable
Unbranded Series
Altoids








A very busy but, fun weekend folks !
Another FREE event by the Lucie Foundation!

After Sunday brunch , How about a free artist talk with these two hot artists Sara Terry and Hank Willis Thomas?

ARTmostfierce has been following Hank's work for a while and they will be more to learn with Sara.
Check it out !
Remember to RSVP ...Limited Seating!!!

Please read press release by Sherrie Berger



For Immediate Release

Media Contact: Sherrie Berger
310.503.4455
press@sherrieberger.com
www.lucieawards.com
EPK available via ftp or CD


The Lucie Foundation and Nueva Luz Photographic Journal
proudly present:
ARTIST TALKS with SARA TERRY and HANK WILLIS THOMAS

Sunday, October 19th, 5:00-6:30 p.m., Splashlight Studios, Soho
ONE HUDSON SQUARE (75 Varick Street, Third Floor) New York, NY 10013
T. 212 268 7247 www.splashlight.com


Limited Seating Available. Free to the public. RSVP mandatory. lectures@lucieawards.com


Los Angeles, Calif. – (September 7, 2008) The Lucie Foundation & Nueva Luz Photographic Journal, with generous support from Splashlight Studios, proudly present an artist talk with photographer Sara Terry: The Aftermath Project and artist Hank Willis Thomas. Both artists are featured in the current October issue of Nueva Luz and both have monographs that have been published by the Aperture Foundation in 2008. Ms. Terry’s book is "War is Only Half the Story, the Aftermath Project-Volume 1", and Mr. Thomas’ is “Pitch Blackness.” These books will be on display this evening, along with other Aperture titles. Additionally, Ms. Terry will be honored with the 2008 Humanitarian Award at this year’s Lucie Awards ceremony, Monday, October 20 at Lincoln Center’s Avery Fisher Hall.

Ms. Terry will present work from The Aftermath Project, for which she is receiving the Lucie Award. Terry met a woman she calls Mariam in Sierra Leone in June 2007 while working on her long term project, “Forgiveness and Conflict: Lessons from Africa.” To protect Mariam’s privacy, Ms. Terry found a way to let her tell her story without showing her face. Mariam used a camera for the first time in her life which allows us to see her world through her eyes, without seeing her face. The camera became a metaphorical tool, a way of telling the story of her life in the bush, according to the artist.
Terry’s work has been published in newspapers and magazines in the United States, Spain, Italy, Belgium, Sweden, Bosnia, and Japan. Her photos have also been widely exhibited, at such venues as the United Nations, the Moving Walls exhibition at the Open Society Institute in New York, the Museum of Photography in Antwerp, and the Leica Gallery in Solms, Germany. Her work is in the permanent collection of the Museum of Fine Arts, Houston, and in many private collections. Ms. Terry’s long-term project in Bosnia – and her conviction that war is only half the story – led her to start a non-profit grant program, The Aftermath Project, www.theaftermathproject.org, which helps photographers cover the aftermath of war and other conflicts.

Mr. Thomas will speak about the traveling exhibition Engulfed by Katrina, curated with Deborah Willis - and then present his latest projects B®anded, and Unbranded: Reflections in Black from Corporate America 1968-2008. “Engulfed by Katrina” is an exhibition project examining and interpreting the experience of Katrina on the Gulf Coast so the impact of this horrific experience is not forgotten and overshadowed by more recent headlines. For his recent work, Thomas talks explicitly about race, class and history in a medium that almost everyone can decode. By “unbranding” media and advertising, he encourages viewers to look harder and think more deeply about how advertising reinforces generalizations surrounding race, gender and cultural identity. Raised in New York City, Thomas graduated from NYU’s Tisch School of the Arts and received his MFA from California College of the Arts. His work has been published in numerous books and publications and he has exhibited in galleries and museums nationally and internationally including PS1, the Studio Museum in Harlem, Zacheta National Museum of Art in Poland, The Yerba Buena Center for the Arts in San Francisco. Thomas received a New York Foundation for the Arts Fellowship Award in 2006, and is a recipient of the 2007 Renew Media Arts Fellowship (Rockefeller Foundation) and the Aperture West Book Prize in 2008. Thomas was an artist in residence at the Headlands Center for the Arts near San Francisco, and Light Work.

About the Lucie Foundation
Lucie Foundation’s three fold mission is to salute the achievements of the world’s finest photographers, to discover and cultivate emerging talent and to promote the appreciation of photography worldwide. The Lucie Foundation, which presents a variety of programs, including the Lucie Awards, will also introduce new programs featured around education and exhibitions. For more information, please visit www.luciefoundation.org The Lucie Foundation is a 501(c)3 non-profit charitable foundation.


About Nueva Luz
Published three times per year by En Foco Inc, Nueva Luz is the country’s only bilingual non-profit journal to feature contemporary fine art and documentary photographers of diverse cultures -- primarily U.S. residents of Latino, African and Asian heritage, and Native Peoples of the Americas and the Pacific. Founded in 1974, En Foco helps artists become visible to the art world, while remaining accessible to under-serviced communities. Through publication, exhibitions, workshops, and events, it provides professional recognition, honoraria and support to photographers as they grow into different stages of their careers. Funding for Nueva Luz is provided by The New York State Council on the Arts, The National Endowment for the Arts, The New York City Department of Cultural Affairs, The Rockefeller Brothers Fund, The Andy Warhol Foundation for the Visual Arts, The Bronx Council on the Arts, subscribers and patrons of En Foco’s Print Collectors Program. For more information: www.enfoco.org info@enfoco.org 718-931-9311

Thursday, August 28, 2008

Hank Willis Thomas...A MUST HAVE!

Black Power, 2006
Hank Willis Thomas
Price now $1,200.00
Description
First 10: $900, Nos. 11–20: $1,200, Nos. 21–30: $1,500
Paper: 20" X 16"
Image: 20" X 16"
C- print
Edition of 30 and
5 artist's proofs
At Aperture Foundation.



Hank Willis Thomas
Branded Chest, 2003
Platinum print, 10 x 6.5”
$450 - NOW ONLY $405
Available at Light Work.org



ARTmostfierce highly recommends start collecting Hank Willis Thomas work NOW!!!
The moment and the prices are NOW!!!
Please go to his site and take a look at the Branded series and also read his personal statement. The MoMA got it and already purchased some his work. His book 'Pitch Blackness' will be released by Aperture Foundation and it is also a must have.

His work looks at race, class, and history through advertising, focusing predominantly on the use of the African American male body in advertisements in an exploration of the "familiar." The work is not only important but, also is a reflection of the current times we live in.

I think either one of these images has a quite strong iconic potential and you should let the Credit Cards take a stroll before you go on and splurge on drinks, food and momentary sustained fabulousness during the Labor Day weekend. Look at it this way...The photos will be there when you get back from the holiday ...the hungover might linger on because you just wasted money !

So take a real Glamorous Break, do the Math and do a savvy investment. Get both prints!

Hurry before prices go up!

Have a great Labor Day Holiday Weekend!!!

Update as Sept. 3, 2008
Folks, the price already went up to $1,200.00
Still haven't got one?




See his work at: http://www.hankwillisthomas.com/