Showing posts with label Bond Street Gallery. Show all posts
Showing posts with label Bond Street Gallery. Show all posts

Tuesday, October 14, 2008

''Revisiting AMERICA''Tonight ! 10/15/08 @ Bond St. Gallery




Brian Ulrich
Chicago, IL 2004
Carbon Pigment Print
30 x 40" Edition of 6



ARTmostfierce encourages you to pay a visit or show up tonight for the opening of
REVISITING AMERICA

CURATED BY amani olu
The show includes the work of dear friend and talented artist Brian Ulrich

Exhibiting photographers: Timothy Briner, Jon Feinstein, Matthew Gamber, Justin James Reed, Angie Smith, Brian Ulrich and Michael Vahrenwald

Opening reception: Wednesday, October 15, 2008
Press preview: 4 – 6 pm Public reception: 6 – 9 pm
On view: Wednesday, October 15 – Saturday, November 15, 2008

Press inquiries: kate@bondstreetgallery.com

BOND STREET GALLERY
297 Bond Street Brooklyn, NY 11231 (Carroll Gardens)
718.858.2297 Directions: F/G to Carroll St. or R to Union St.

Gallery Hours: Tuesday – Saturday 11 am – 6 pm

BOND STREET GALLERY is pleased to present Revisiting America, a group show curated by Amani Olu. This exhibition explores the shift in American culture following the Second World War, and how that shift has influenced American values today.

Timothy Briner, Justin James Reed, Michael Vahrenwald and Angie Smith each address the dichotomy inherent in economic progress. Briner intimately photographs the people and spaces in various towns named Boonville across the country. His pictures capture the remnants of small-town America despite the rapid development of strip malls and suburban hegemony. Reed examines how homogeneity in corporate development has created an unfamiliar and unnatural American landscape. Seeing with a subtler eye, Vahrenwald photographs the empty spaces between agriculture and commercial architecture. He uses ambient light from the parking lots that parallel these spaces to create a sense of leftover, discarded landscape. Similarly, Smith photographs newly developed residential communities. Her images offer a less bleak view of development, depicting how people inhabit these once isolated environments.

Jon Feinstein and Brian Ulrich use consumerism to draw conclusions about American behavior. Feinstein’s simultaneously alluring and repulsive imagery begs the viewer to reconsider fast food consumption, while Ulrich’s portraits document the tedious consumer experience, providing a window onto the perfunctory ritual of "big box" shopping.

Finally, Matthew Gamber creates photograms of iconic American television shows such as Leave it to Beaver, Hogan’s Hero and I Love Lucy. Using the television as a light source, these photograms deal with advent of technology and ideologies of the day.

About the Curator
amani olu, 28, is the founder and executive director of Humble Arts Foundation and the director/curator of BOND STREET GALLERY. Originally from Philadelphia, he relocated to New York City in August 2005 to establish Humble as a resource for emerging art photographers. From 2003 – 2005, he published b.informed, a quarterly lifestyle magazine that combined elements of documentary photography, graphic art, music and fashion. He lives in Brooklyn.

For additional information or visuals, please contact Kate Greenberg at kate@bondstreetgallery.com.


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Biographies


Timothy Briner
Timothy Briner (b. 1981) is an American photographer living and working in Brooklyn, NY. Raised in Indiana, Briner moved to Massachusetts to attend the Hallmark Institute of Photography in 1999. Briner recently returned from a year-long journey in which he documented six smalls towns across the continental United States, all named Boonville. Briner's work has been exhibited locally and nationally.

Jon Feinstein
Jon Feinstein is a photographer and curator based in NYC. His work has been published in Gotham, Nylon, Heeb, New York Press, and Vice and has been exhibited throughout the United States. He is also the curatorial director for the art-photography non-profit Humble Arts Foundation. He has curated numerous exhibitions, most recently "Young Curators New Ideas," and "31 under 31: Young Women in Art Photography." Jon holds a BA in photography from Bard College.

Matthew Gamber
Matthew Gamber earned an MFA from the School of the Museum of Fine Arts/Tufts University. He is currently an imaging technician with Imaging & Preservation at Harvard University, and Editor-in-Chief of Big RED & Shiny. He has taught at Savannah College of Art & Design, Art Institute of Boston/Lesley University, College of the Holy Cross, and Massachusetts College of Art & Design. Gamber is represented by Gallery Kayafas in Boston, Massachusetts.

Justin James Reed
Justin James Reed (b. 1981) received his MFA in photography from the Tyler School of Art in Elkins Park, Pa. His photographs have been exhibited nationally and internationally, and are in numerous private collections. He teaches at the Pennsylvania College of Art & Design, Tyler School of Art, and The College of New Jersey. He lives in Pennsylvania.

Angie Smith
Angie Smith is a freelance photographer based in Los Angeles. Originally from Eugene, Oregon, she moved to upstate New York to attend Bard College in 1999. After studying photography for four years with Larry Fink, she moved to New York City to start her career. In 2007, Angie left New York to return to her West Coast roots. She now resides in Los Angeles. She continues to exhibit her work, as well as shoots for magazines nationwide. Her work has appeared in publications such as The New York Times Magazine, Forbes, Budget Travel, and Men's Journal.

Brian Ulrich
Brian Ulrich was born 1971 in Northport, NY. His photographs portray contemporary consumer culture. His first monograph, Copia was published in 2006 by Aperture as part of the MP3: Midwest Photographers Project. In 2007 Ulrich was named one of the years 30 Emerging Photographers by Photo District News magazine, and a critic’s pick by Richard Woodward for ARTnews magazine.

His work has been recently featured in the New York Times Magazine, Orion Magazine, Newsweek, Mother Jones magazine, the Chicago Tribune, Artforum, Harper’s, La Frabricca, Leica World, Phat Photo (Japan), and as a frequent contributor to the like-minded magazine Adbusters.

Brian is represented by Rhona Hoffman Gallery in Chicago, Robert Koch Gallery in San Francisco, and Julie Saul Gallery in New York.

Michael Vahrenwald
Michael Vahrenwald is a photographer who lives and works in New York City. His work has been shown at a variety of venues including the Whitney Museum, New York and the Walker Art Center, Minneapolis. His work will be included in the upcoming show "Worlds Away" at the Carnegie Museum of Art in Pittsburgh, PA. He is currently a Visiting Professor of Photography at Bard College and The Cooper Union.

See you There!!!!


bondstreetgallery.com.

Saturday, August 2, 2008

Young Curators, New Ideas

Gerald Edwards III, Investigation into the Disruption of Power, 2006


ARTmostfierce
plans to attend this show. Looks like a good one. You have to RSVP!
Don't miss it. See you in Brooklyn!


OPENING RECEPTION: Wednesday, August 13, 2008 RSVP REQUIRED: rsvp@bondstreetgallery.com
PRESS PREVIEW: 4 – 6 pm PUBLIC RECEPTION: 6 – 9 pm
ON VIEW: Wednesday, August 13 – Saturday, September 6, 2008
PRESS INQUIRIES: kate@bondstreetgallery.com

BOND STREET GALLERY
297 Bond Street Brooklyn, NY 11231 (Carroll Gardens)
718.858.2297 DIRECTIONS: F/G to Carroll St. or R to Union St.

GALLERY HOURS: Tuesday – Saturday 11 am – 6 pm

BOND STREET GALLERY is pleased to announce Young Curators, New Ideas, a group exhibition organized by amani olu and curated by Alana Celii & Grant Willing (Fjord Photo), Michael Bühler-Rose, Jon Feinstein (Humble Arts Foundation), Laurel Ptak (I Heart Photograph), Amy Stein (amysteinphoto.blogspot.com), and Lumi Tan (Why + Wherefore).

The exhibition examines different trends and perspectives in contemporary art photography through the bias of six new and seasoned curators. Each curator (or curatorial group), using roughly ten feet of space, aims to engage viewers in a discussion on where he or she believes art photography is today.

Völuspá, curated by Grant Willing and Alana Celii, focuses on the themes of magic, otherworldliness, secrets and nostalgia. The exhibiting photographers were curated from the Fjord collective, and include Mikaylah Bowman, Gerald Edwards III, Bryan Lear, Miranda Lehman, Seth Lower, Mark McKnight, Erin Jane Nelson, and Jesper Ulvelius. The images from these eight artists represent the ideas of a multi-verse, which is a self-contained, separate reality. All of the photographs point to a place or moment that feels familiar, but objectively is known to rarely exist. These spurious emotions allow the viewers to address a personal memory or follow one's spiritual quest; yet when presented with the facts that directly make up the photographs, they feel like something that cannot be experienced.

Artist Michael Bühler-Rose presents Opposing Photographers by Charles Benton. Benton's work examines the nature of portraiture by returning fine art photography to its roots in conceptual art practice. Benton enables the viewer to be placed within the middle of a photographic "volley" to experience not just the gaze of the photographer towards his or her subject, but also to reflect that gaze back and enable the viewer to experience both subject and object simultaneously. Through this lo-tech presentation Benton reassess the slide presentation/photographic document's traditional function of "pointing to..." and enables the viewer to experience being pointed at.

In Jon Feinstein’s exhibition, Light and Color, he explores notions of science, mysticism, astronomy and the unreal using photographs from Hannah Whitaker, Talia Chetrit, Noel Rodo-Vankuelen, and Ann Woo. Much of the work utilizes stripped down elements such as prisms, rainbows, and seemingly banal sunsets to investigate common themes in art history and larger conceptual issues surrounding the process of image making.

Laurel Ptak's exhibition takes the show in a different direction by commissioning 26 photographers, designers, and new media artists to embrace the animated GIF. Appropriately titled Graphics Interchange Format, the show explores how a lo-fi digital image technology invented in 1987 fares in contemporary context. Ptak gave artists only 3 days to complete the commission and encouraged the use of photographic materials. A few of the artists had never made an animated GIF before, while others were notorious for it. "Some use the form epically," says Ptak, "like a novelist or film director; others are self-reflective about the limits of technology and representation; many challenge photography's usual atemporal disposition; and then some just make me giggle." The results are 67 artist-made animated GIFs shown on 44-inch flat screen in an infinite loop. Each are sold in an unlimited edition for $20, accompanied by a personalized note from the artist.

Graphics Interchange Format features works by Victor Boullet, Tyler Coburn, Petra Cortright, C. Coy, Daniel Everett, Thobias Fäldt & Per Englund, Martin Fengel, Jason Fulford, Nicholas Grider, Pierre Hourquet, Konst & Teknik, Eke Kriek, Emily Larned, Matt MacFarland, Katja Mater, Kelci McIntosh, Ilia Ovechkin, Robert Overweg, M. River, Noel Rodo-Vankeulen, Asha Schechter, Trevor Shimizu, Jo-ey Tang, Anne De Vries, Karly Wildenhaus and Damon Zucconi.

In her exhibition, photographer and critic, Amy Stein, selects five photographers working in the tradition of Cindy Sherman, Ralph Eugene Meatyard and Gregory Crewdson. Featuring Alison Brady, Olga Cafiero, Alix Smith, Alex Prager, and Ofer Wolberger, these photographers employ directorial image making strategies to explore identity and representation of the self. Whether they are directing loved ones, friends or relative strangers, these five photographers bring us lush, evocative cinematic moments that transport the viewer into a space that is alternately unsettling yet strangely familiar.

Writer and curator, Lumi Tan, presents three photographs from Brian Bress. In these photographs, Bress conflates the space around us, leaving the viewer disorientated and distracted by a certain distorted familiarity. His use of ordinary objects in seemingly chance combinations and chaotic arrangements are uncanny, asking to be decoded but simultaneously resisting interpretation. By engaging the viewer in absurd performative exploration, he points out how easily we are lost in our own cultural detritus.

For additional information or visuals, please contact Kate Greenberg at kate@bondstreetgallery.com.